![]() ![]() The 43-year-old has made 21 starts this season, sporting a 7-10 record and a 4.82 ERA. Hill would be a solid option for playoff teams looking to improve their pitching depth. When noting that he is an All-Star closer who is under team control until 2027, teams would need to send a huge offer to successfully land him. This is especially the case for Bednar and Keller.īednar has had a fantastic season in 2023, posting a 3-1 record, 1.35 ERA, and 20 saves. Each of these players has the potential to bring in nice returns for Pittsburgh, and they would be wise to test their trade markets. Given this report by Heyman, it is fair to assume that the Pirates are not done making moves. Another summer of selling could be on the way for the Pirates Thus, if the right offers come along for these four players, the Pirates could go through some massive changes over these next few days. Per MLB insider Jon Heyman, the Pirates are “getting a lot of hits” on David Bednar, Rich Hill, Mitch Keller, and Colin Holderman. Yet, things are only getting started with Pittsburgh’s fire sale. This was expected, as Santana is a free agent at season’s end, and the Pirates are well out of the playoff race at this juncture of the season. The Pittsburgh Pirates cemented themselves as sellers when they traded veteran infielder Carlos Santana to the Milwaukee Brewers. This formulaic machinery progressively drags things into the mediocre until the banal ending, with the hero walking away having tasted his revenge.After trading Carlos Santana to the Milwaukee Brewers, the Pittsburgh Pirates are nowhere to be done making trades. Its the easiest thing in the world to poke fun at these smarmy types. This problem of stereotype is compounded by the introduction of the anchor and lawyer. But he actually plays none of these things, just an automatic device, played by a rank mugger. This is a fellow that avoids the camera, avoids people, acts as the center of intelligence, the detective, the spine of the film. The primary problem is the Burns character, Warsaw. But in Herzfeld's hands, it turns to goo, because he lards it up with so many formulaic devices. This could be the sort of stuff that would make up for Ritchie's fluff problem. With this alone, Soderburgh could have done really well. Farmiga is lovely, playing much the same as her "Autumn" role. But watching an actor act like an actor is a treat, especially when we have two guys who turn into actors and a slew of TeeVee people who are in front of cameras, but who don't know the moves. (He practices his proposal as if it were to be filmed - shades of "Taxi Driver" - plus his intended is reporter!) He uses a different set of moves than the visitors, and which are natural to the man, and are already common enough to be self-parodied. He plays someone who lives to be seen by a camera. Plus we have deNiro in a role that is more apt than any of his recent ones. These guys really move like East Europeans (like Liam in 'Schindler'), which starts out with a set of movements that is rare in film, and adds an unusual logic with a visual metaphor. What this film has is a very clever self-referential notion: another film about films, but one that directly indicts its own audience. Some films get extra points from me for ambition. ![]()
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